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Queen Isabella (the Catholic) of Spain is one of the most influential and controversial women in history. She and her husband were responsible for supporting Columbus' voyages to the New World, the re-conquering of all of Spain from the Moors, the expulsion of the Jews, and the establishment of the Spanish Inquisition. Her daughter, Catherine of Aragon, was the unfortunate first wife of King Henry VIII of England (who founded the Anglican church because he didn't accept the Pope's refusal to grant him an annulment of his marriage to Catherine). The story is fast-paced and gripping (as well as complex), but also very sad and even disturbing at times. It's an important period of history for Catholic to understand as many aspects of this story are frequently used to attack the Church. Reading the whole story will also dispel some common myths about history in general - particularly ones that try to make blanket statements about history and assumptions that as history progresses things always get worse.
Recommended for upper high school or adult.

The Laviniad is a truly unique work; the story is unique and the book itself is unique.

First the story: The author successfully writes in the style of the ancient epic in modern English, picking up the thread of the story of the Aeneid. The Laviniad takes up the tale of the Trojan settlement of Latium following the death of Aeneas. His son, Ascanius, assumes the leadership and almost immediatley must deal with the threat of Italians still hostile to the Trojan presence.

There are some pleasant similarities to the ancient epics, such as prophecies that are fulfilled in not quite the way the people expect, and the descriptions of the deaths of the heroes. The Trojans prevail in the end and Lavinia, Aeneas' widow gives birth to his child, the true and final mix of the blood of the Latins and the Trojans. Hope is restored to a people wearied by years of war and loss of life. Lovers of classic tales will really appreciate the poetry and the plot.

The poem reads easily and naturally with the flow and flavor of the ancient epics. A complete glossary in the back will help anyone who has not read the Aeneid or the Iliad to understand the relationship of the characters and the various names of the Greeks, Trojans, and Latins. It is not, strictly speaking, a sequel, however, a knowledge of the events of the Aeneid is helpful. A highschooler could appreciate the story whether or not he has read the Aeneid.

Now the book: I learned from the publisher that the author hand makes each book, binding and all! The story is printed on parchment and handsewn, not glued. The outer cover is a light blue cloth cover. It is a beautiful, elegant edition, wonderful for gift giving.

This lovely retelling of an old Mexican legend transports us to the mountains of Mexico, where a young girl, Lucida, prepares for Christmas with her family. Her mother is a fine weaver, and the Padre asks her to make a new blanket for the Baby Jesus. When her mother falls ill, she longs to help finish the blanket, but only seems to make a mess of things. With no gift for the Baby Jesus, Lucida hides and watches the procession from afar. An old woman assures her that "any gift is beautiful because it is given" and that "Whatever you give, the Baby Jesus will love, because it comes from you."

Feeling more courageous, Lucida picks a bundle of weeds and brings them to the Baby Jesus in the manger scene at church, where they are beautifully transformed.

This book is not a "must read", but it is an enlightening read (best for high school and up). I have not read any other compilation of letters like this, so even the concept was new to me. There isn't a format, a thesis or an argument to unify the book. Rather, it is the life, work and times of Tolkien which generate the letters. He writes to his wife, his children, fans of his work, his publishers and various friends. The book is a subset of his letters (edited with the help of his son Christopher). Much of what is represented is in response to questions about his works - Middle Earth, elves, hobbits etc. - and so it is much more interesting to read if one is familiar with his works. One missive in particular was written to his son about love and marriage (MOST interesting). Others relate events of his life. The letters to his publishers reveal how difficult it was for him to write.In explaining these things, much is revealed about his understanding of the world (both philosophically and theologically). Reading the Hobbit and the Lord of the Rings, he, in one letter, describes as a "keyhole" view of his subcreation, Middle Earth. This in itself is revealing. It seems to have been very time consuming and difficult for Tolkien to produce his works. Through the letters, you begin to see that this is partly due to the fact that he was a perfectionist. He would let you see something through the keyhole (eg. a fairly brief mention of the story Luthien Tinuviel looked upon as an historical event) but wasn't really satisfied until he tackled the complete story of Luthien as well. He must have had an enormous amount of material in his study and in his head! He indicates that there are only two things in the Lord of the Rings that he does NOT know about - one being "the cats of Queen Beruthiel". ... the point being that he DOES know about the rest in great detail. He has firm ideas about the creation and descent of the elves, the work and character of the Valar/Angels, the history of the landscape, the fables associated with the morning star, Earindel. And nothing gets more attention than the languages used. He made them up for fun - it was a true love of his. He knows where they started, how they mingled with others down through Middle Earth's history, their forms, changes and pronunciations.But I lost my thread. His philosophy and theology are very evident in his works of fiction - they make the world of Middle Earth seem real BECAUSE they are so well grounded. They blossom in these letters. He can stand back from the events and tell an inquisitor WHY something in Middle Earth happened - and that is very edifying. His perfectionism has driven him to understand our own world well enough to figure out what is really possible in Middle Earth. He makes the critical distinction between what is accidental and what is essential so that Middle Earth may diverge from our own place in space and time yet still appear REAL.As an example, he responds to a priest who challenges Tolkien's ideas about elves - elves are undying in Middle Earth. Tolkien explains the notion that this is not an essential problem with God's creative abilities - even if it seems impossible that we would see it ourselves. You have to read his explanation - the whole point being that he DID think about it and had reasons for it even before he put it in the books.It is gratifying, as a Catholic, to learn that Tolkien's good philosophy and theology are heartily Catholic in nature. And to learn that his greatest inspiration, comfort and love was the Eucharist!It is interesting to read that one letter of fatherly advice to his son about love and marraige. This is one area where he makes so much sense you want to cheer. It is not mushy sentimentalism and it is not clinical psychology. It is the very human assesment of the how fallen-nature and super-nature manifest themselves in finding and keeping a spouse. And as such it is darned good advice for anyone!You will also learn a lot about Tolkien in this book. And even though he is not perfect - there is so much to learn. There are areas in which you want to emulate him. And areas in which you may find him shy of the mark. You can do your own philosophizing about where to draw that line - and his manner and style - so humble - INVITES you to reflect like this. This book is like a life experience. His life is, after all, another life. It is good and not so good and filled with the decisions that help make us who we are.